After its inaugural sell-out in 2024, Wonderfront 2025 surpassed all expectations, showcasing a breathtaking fusion of music, local delicacies, and the stunning beauty of the waterfront. This year’s lineup provided an unforgettable experience brimming with global sounds and a rich variety of genres.
From pulsating dance tracks to heartfelt melodies, Wonderfront’s eclectic performances catered to every musical preference, ensuring that all attendees reveled in the music and ambiance.
Set against the tranquil backdrop of the iconic Embarcadero Marina Park North venue in San Diego, Wonderfront presented awe-inspiring views of the harbor and skyline, even with the overcast skies.
On Friday, the weekend kicked off with an exhilarating blend of global dance beats and daring hip-hop acts.
The night sparkled with Peggy Gou’s genre-defying rhythms, complemented by Duke Dumont’s anthemic house tracks, Overmono’s trance-laden breakbeats, and Drama’s sultry electronic sounds.
Hip-hop and R&B enthusiasts were treated to a lineup that included PBR&B sensation Daniel Caesar, TDE’s Isaiah Rashad, indie hip-hop titan Freddie Gibbs, Jordan Ward, and Erick the Architect.
Each delivering their distinctive flair on stage with compelling performances and captivating narratives.
Freddie Gibbs was in exceptional form that night, making his set appear effortless despite the complex lyrics. He delivered hits that moved the crowd, “1985,” “God is Perfect,” and he gave us “Something to Rap About.” He also provided a surreal cover of Mary J. Blide’ ‘My Life.”
Rashad exuded charisma during a lively set that spanned his three albums and two EPs. His music is marked by a dreamy, often nostalgic quality and thoughtful lyrics that delve into themes of depression, substance abuse, and family.
As Saturday came into view, attendees were treated to a joyous fusion of funk, soul, and indie-pop that captivated all who were there.
Portugal. The Man and STRFKR brought their unique brand of psychedelic indie rock to the stage.
For those who enjoy innovative electronic-pop, Magdalena Bay and Peter Cat Recording Co. pushed the limits of musical creativity, while Baby Rose, Orion Sun, and PawPaw Rod.
All this while Janelle Monae killed it with “Champagne Shit,” “Eletric Lady,” “Lipstick Lover,” and “Tightrope.”
The crowd was eagerly awaited the return of Neon Trees who offered soulful, moving performances that resonated profoundly.
The highlight of the night was SiR, whose relatable charm and warm, smoky vocals underscored his status as TDE’s resident crooner. PawPaw Rod excelled with his signature laid-back vibe and infectious feel-good artistry.
The sound of this LA-based artist has been compared to the soul music greats Bill Withers and Gil Scott-Heron, but his style is distinctly his own. He is undoubtedly worth a deep exploration of his impressive catalog.
Anderson.Paak & The Free Nationals along with Foster the People infused the audience with their genre-defying dynamism, while proving without a doubt they were headliners for a reason; they did not disappoint.
Each delivered on their signature sound and iconic hits. It was the energy that they put out and the power behind their music made this the perfect way to close the night.
The final day of Wonderfront was all about deep reflection and relaxed vibes. With the captivating sounds of Khruangbin, a 2025 Grammy nominee for best new artist, paired with the calming acoustic melodies of Jason Mraz, attendees embarked on a global musical adventure.
The festival continued to pulse with Latin rhythms through performances by La Lom and Paco Versailles, ensuring a rich auditory experience that nodded to the rich music tapestry of Southern California.
I was enchanted by Khruangbin’s distinctive blend of styles and their massive sound with hits, “Mr. White,” “May Ninth,” “Pelota,” while reminding us that there’s “People Everywhere (Still Alive.)”
As the sun dipped below the horizon, rock legends Gary Clark Jr. and The Fray graced the stage, delivering electrifying performances that resonated with both longtime fans and newcomers.
Gary Clark Jr.’s fuzzy blues guitar mastery left quite a “Blak and Blu” impression on the crowd, while The Fray brought their signature emotive and ethereal songwriting to the forefront while channeling Dolores O’Riordan’ Cranberries with “Dreams,” and Simple Minds “(Don’t You) Forget About Me.”
Finally, for those seeking emotional depth, artists like Julien Baker, Torres, and Allen Stone offered cathartic moments that truly touched the soul. Torres stood out in the lineup with a particularly dramatic performance, exuding theater kid energy in the best possible way. This day gifted us a mix of powerful rock and heartfelt melodies that I am certain will remain in the hearts of the audience long after the last note.
Emerging artists like Jalen Ngonda, Vacations, and Leon Thomas presented their distinctive interpretations of neo-soul and indie-rock, infusing the festival’s conclusion with a refreshing viewpoint. It truly felt as though neo-soul and indie rock were experiencing a resurgence, and I was fortunate enough to witness it unfold live.
The much-anticipated comeback of 4 Non Blondes was the talk of the town. Their stage presence alone evoked the spirit of 1994, making Sunday a remarkable end to an unforgettable weekend.
We all got to hear the songs we came for from Linda Perry, “What’s Up,” and a kick-ass cover of Zeppelin’s “Rock and Roll,” along with new tunes, “Push and Shove, “Strange Places,” and “Drop the Bomb.”
I was grateful to have navigated through the traffic and overcast skies for the chance to see such a cherished and impactful band.
Here’s to hoping I can catch the next Wonderfront. And here’s to hoping I’ll see you there!
