How would you describe your approach to conducting an orchestra?
Before I became a conductor, I was a professional cellist. That experience helped me realize what the musicians actually need from me. Playing a string instrument is very specific. I try to remember what I needed (as a musician) every time I stand on the podium. It’s the way you address the musician. You have to know those code words. It’s very helpful to connect, to know that. I’m not saying you have to be a string player, but it’s very helpful.
What excites you most about your new role with Pacific Symphony?
Well, first, it’s Pacific Symphony. Just the idea of being able to work with such a great team—that’s very exciting. I did not sleep for a couple days after the interviews I had because it was really one of my dreams. And it came true. The role I will be taking over covers a few aspects. I will be assisting Pacific Symphony, but I will also be a cover conductor. Alongside that, I am taking the role of director of the youth symphony. I cannot wait to spend time and share my passion with them.
What is a piece of music that never fails to move you?
I have two. One is as a cellist. It’s “Brahms’ Piano Trio” in B major. Every time I play it, or I hear it, there’s something special. And as a conductor, my second is “Dvořák’s Symphony No. 7”—not as known as “No. 9,” but I highly recommend it. It’s beautiful and moves me every time.
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