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This post was originally published on this site
The idea of the “curse of the ninth” is pretty uncomplicated—simply the notion that composers are destined to die before completing a ninth symphony. Arnold Schoenberg, the great modernist and father of the Second Viennese School, asserted that the idea of a ninth-symphony jinx originated with Mahler, whose thoughts never seemed to be far from the meaning of human life, mortality, and the possibility of an afterlife.