'Coco,' 'Faces Places' and 'A Fantastic Woman' look primed for Oscar glory

Analysis: “The Square,” Ruben Östlund’s unsparing art world satire, is the biggest commercial success of the nominees and boasts a truly unforgettable scene in which a man, pretending to be an ape, causes mayhem during a museum gala dinner. Actually, it’s one of a handful of memorable moments — Elisabeth Moss and Claes Band engaging in a tug-of-war over a condom comes in a close second — in an overlong, sometimes shapeless movie that often lapses into heavy-handed social commentary. But again, its highs are spectacular.